Humphrey Bogart Wav Files

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Humphrey

Trek.wav (168k) Singing Message. An upbeat singing message. Message.wav (80k) Spooky. I'm sorry but the master of the house is tied up right now. Spooky.wav (172k) Formal Message. Good day the party at this residence is unavalable. Formal.wav (136k) Humphrey Bogart. Of all the answering machines in the world you had to call mine. 'Humphrey DeForest Bogart'. Bogie is an actor who continues to rank near the top on everybody's list. What is not generally known is that he made many appearances on radio after he moved his act from Broadway to Hollywood. In 1930 he got a contract with Fox and his feature film debut was in a 1930 short 'Broadway's Li.

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Classic Movie Quotations: Numbers & Titles C-D

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All the following audio files are in .WAV format unless otherwisenoted. All files are ordered according to movie, or where unknown, undera miscellaneous category. Click the sound icon next to the title to accessthe file.

Visit the plug-ins pageif you are having difficulty opening any of these files.

CABIN IN THE COTTON (1932):

  • 'I'dlike ta kiss ya, but I just washed ma hair.' --BetteDavis.

THE CAINE MUTINY (1954):

  • 'Mr.Maryk, you may tell the crew for me there are four ways of doing thingson board my ship: the right way, the wrong way, the navy way and my way.If they do things my way, we'll get along.' --HumphreyBogart.

CAPTAIN BLOOD (1935):

  • 'There's a gallows waiting for each of us at Port Royal, and no man should be late to his own hanging.' --Guy Kibbee.

CASABLANCA(1942):

  • 'Here'slooking at you, Kid.' --HumphreyBogart.
  • 'Ofall the gin joints in all the towns in all the world, she walks into mine.'--Humphrey Bogart.
  • 'Playit, Sam. Play 'As Time Goes By.' ' --IngridBergman.
  • 'Playit once, Sam, for old time sake.' --IngridBergman
    'I don't know what you mean, Miss Ilsa.' --Dooley Wilson
    'Play it, Sam. Play 'As Time Goes By.' ' --IngridBergman
    'Oh, I can't remember it, Miss Ilsa. I'm a little rusty onit.' --Dooley Wilson
    'I'll hum it for you.' (she hums; he plays) 'Singit, Sam.' --Ingrid Bergman(a .RAM file).
  • 'I'vegot a job to do to. Where I'm going you can't follow. What I've got todo you can't be any part of. Ilsa, I'm no good at being noble, but it doesn'ttake much to see that the problems of three little people don't amountto a hill of beans in this crazy world. Someday you'll understand that.Now, now . . . Here's looking at you, kid.' --HumphreyBogart (a. RAM file).
  • 'Roundup the usual suspects.' --ClaudeRains.

CHARADE (1963):

  • 'Do women think it feminine to be so illogical or can't they help it?' --Cary Grant (a .RA file courtesy Graham's Audrey Page).
  • 'Is there a Mr. Lambert?' --Cary Grant.
    'Yes.' --Audrey Hepburn.
    'Good for you.' --Cary Grant.
    'No it isn't. I'm getting a divorce.' --Audrey Hepburn.
    'Please, not on my account.' --Cary Grant (a .RA file courtesy Graham's Audrey Page).

THE CHEYENNE SOCIAL CLUB (1970):

  • 'D-d-d-do you know where we are now, Harley?' --JimmyStewart.
    'Not exactly.' --Henry Fonda.
    'We're in Wyoming Territory. I-I wouldn't mention it, but you've been talking all the way from Texas!' --JimmyStewart.
    'I've just been keepin' you company, John.' --Henry Fonda.
    'I appreciate it, Harley, and I don't mind it too much for the first hundred miles, but Harley, you've been talkin' for a thousand miles!' --JimmyStewart.
    'I'm sorry, John. You should'a told me.' --Henry Fonda (a .RM file).

CITIZEN KANE (1941):

  • 'Rosebud!'--Orson Welles.
  • 'Youlong-faced, over-dressed anarchist!' --OrsonWelles.
  • 'You'restill the college boy, aren't you?' --George Coulouris
    'Oh no, Mr. Thatcher, I was expelled from college, a lot of colleges. You remember.'--Orson Welles.
  • 'Makeup an extra copy of that picture and send it to the Chronicle.' --OrsonWelles.
  • 'Henever gave himself away. He never gave anything away. He just... left yaa tip, hm?' --Joseph Cotten.

COOL HAND LUKE (1967):

  • 'What we've got here. . . is failure to communicate.' --Strother Martin.

THE COURT JESTER (1956):

  • 'Thepellet with the poison's in the vessel with the pestle; the chalice fromthe palace has the brew that is true!' --DannyKaye.

THE COWBOYS (1972):

  • 'Well, it looks like it's going to be another fine day.' --JohnWayne.
  • 'Hurry it up. We're burnin' daylight.' --JohnWayne.

DARK VICTORY (1939):

  • 'Nothing can hurt us now. What we have can't be destroyed. That's our victory... our victory over the dark.' --BetteDavis.

THE DAY THE EARTH STOOD STILL (1951):

  • 'Klaatu, barada, nikto.' --Michael Rennie.

DEAD RINGER (1964):

  • 'Loved?You never loved anybody but yourself!' --BetteDavis.

DOUBLE INDEMNITY (1944):

  • 'Whydon't you drop by tomorrow evening around 8:30. He'll be in then.'--Barbara Stanwyck
    'Who?' --FredMacMurray
    'My husband. You were anxious to talk to him, weren't you?'--Barbara Stanwyck
    'Yeah, I was, but... I'm sort of getting over the idea, ifyou know what I mean.' --FredMacMurray
    'There's a speed limit in this state, Mr. Nef. Forty-five milesan hour.' --Barbara Stanwyck
    'How fast was I going, officer?' --FredMacMurray
    'I'd say around ninety.' --BarbaraStanwyck
    'Suppose you get down off your motorcycle and give me a ticket.'--Fred MacMurray
    'Suppose I let you off with a warning this time.' --BarbaraStanwyck
    'Suppose it doesn't take.' --FredMacMurray
    'Suppose I have to whack you over the knuckles.' --BarbaraStanwyck
    'Suppose I bust out crying and put my head on your shoulder.'--Fred MacMurray
    'Suppose you try putting it on my husband's shoulder.'--Barbara Stanwyck
    'That tears it.' --FredMacMurray.

DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (1964):

  • 'Well boys, I reckon this is it -- nuclear combat toe-to-toe with the Ruskies.' --Silm Pickens.
  • 'Hey! What about Major Kong?' --James Earl Jones.
    'Ahhhhh-eeeeeee! .... (boom)' --Slim Pickens.

DRACULA (1931):

  • 'I am Dracula. I bid you welcome.' --Bela Lugosi.
  • 'For one who has not lived even a single lifetime, you are a wise man.' --Bela Lugosi.

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Posted on Friday, November 27th, 2015 by Ethan Anderton

For anyone who has ever seen a classic movie from the 1950s and before, at least the ones that have sound, you’ve probably noticed that pretty much all the actors speak in a very unique accent that doesn’t sound like it comes from any particular region. It’s fast-talking, usually with prominent t-sounds and dropped r-sounds at the end of words.

If you’ve ever thought that it’s a bit strange to hear people talk like that, you’re not the only one, and there’s actually an explanation as to why people on movies and the radio talked like this. It’s called the Mid-Atlantic accent, and you can find out more about it below.

Here’s a video explaining the Mid-Atlantic accent from BrainStuff:

Named for a non-existent origin somewhere between American and Britain, the faux accent is a hybrid of each countries dialect of English, and it was even taught in schools, with some influence from the theater of high society. And since it didn’t have an exact region where it came from, it is believed that’s why Hollywood liked it so much, perhaps adding an heir of mystery to characters and/or celebrities.

Files

Among classic Hollywood stars, Cary Grant and Katharine Hepburn are the best examples of this accent in action on the big screen, but you’d be hard-pressed to find any movie from the 1930s and 1940s that didn’t have this accent. But it really started to die out after World War II, mostly because it wasn’t being taught in schools anymore. Plus, once stars like Humphrey Bogart came around, studios realized Americans liked seeing versions of themselves played out on the screen instead.

If you want to know more about the Mid-Atlantic accent, check out a great article examining it over at The Atlantic.

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